Remembering Gerard Manley Hopkins
(1844 – 1889)
What would the world be, once bereft
Of wet and of wildness? Let them be left,
O let them be left, wildness and wet;
Long live the weeds and the wilderness yet.
Inversnaid (1881)
It has been 130 years ago; Gerard
Manley Hopkins SJ left this world, leaving behind a great legacy in the field
of English poetry. His posthumous fame
established him among the leading Victorian poets. He was born in 1844 in
Essex, England. He studied Classics at Balliol College, Oxford, between the
years 1863-67, where he struck up a significant life-long friendship with
Robert Bridges (the eventual Poet Laureate of the United Kingdom). He held a
regular correspondence with Bridges throughout his lifetime in which the two
friends discussed Hopkins' poetry in great detail.
Influences that marked in the life of Hopkins
According to some sources, Hopkins
was deeply impressed with the work of Christina Rossetti and she became one of
his greatest contemporary influences whom he met in 1864. During his years at
Oxford he studied with the prestigious critic Walter Pater, who first tutored
him in 1866 and who remained a friend of Hopkins until he left Oxford in
September 1879.
Hopkins was born in a committed
Christian family. He began his novitiate in the Society of Jesus at Manresa
House in Roehampton, September 1868. Two years later he moved to St. Mary's
Hall, Stonyhurst, taking vows of poverty, chastity, and obedience. Despite his
love for writing and poetry, Hopkins vowed to 'write no more...unless it were
by the wish of my superiors'. He burnt all of the poetry he had written so far,
and would not write any poems again until 1875.
Hopkins was ordained as a priest in
1877. For seven years he worked in London, Oxford, Liverpool, and Glasgow. In
1884 he was appointed professor of Greek and Latin at University College
Dublin. His English culture and his disagreement with the Irish politics of the
time, increased his sense of isolation in Ireland. This deepened his feelings
of depression, and the poems written during this period, such as 'I Wake and Feel the Fell of Dark',
reflected this sadness. The poems Hopkins wrote during his time in Dublin came
to be known as the 'terrible sonnets' as they capture the feelings of exile and
melancholy which plagued the later part of his life.
Poetic Style
In the pages of history, we realize that the struggle between
faith and reason has remained very critical subjects. Yet, Hopkins has turned
as an inspiration for theologians, philosophers, artists, writers, playwrights
and poets. Irrespective of time, place, social-political conditions and
cultural differences and boundaries Hopkins has invariably endeavoured to explore
the nature of God and to improve his knowledge on the mystery of the universe
and the existence of man. Being a Christian Hopkins has creatively written on
God, man and man’s relationship with God by using a very innovative language.
It is well known that in 1874,
during his theological studies in North Wales, he learned Welsh, and later
adapted the rhythms of Welsh poetry to create what he called 'sprung rhythm'. This was a concept
Hopkins invented to describe verse in which only the stresses are counted. He
marked his verse with foot divisions, accents, and loops, to illustrate where
the accent should fall. When examining the original manuscripts of Hopkins'
poetry, it is possible to see his use of loops and accents to enhance the sound
and stress of each poem.
It is noteworthy to realize that dualism
and contradiction constitute the essence of his poetry and they are reflected in
every subject-matter and linguistic pattern. God, a central figure of his
almost every poem, is depicted, on the one hand, as a creator, life-giver and
feeder, but, on the other hand, as a severe final judge who reprimands,
punishes and takes human life.
Hopkins died of typhoid fever in
1889 and was buried in the Glasnevin Cemetery, Dublin. Among his unfinished
works was a commentary on the Spiritual Exercises of St. Ignatius of Loyola,
founder of the Jesuit order. After his death, Robert Bridges helped to publish
and promote his friend's work, editing a volume of Hopkins' Poems that first
appeared in 1918.
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